It is indicative of the
sweeping changes that have taken place in society and culture in the 30 years
since its Broadway premiere that “La Cage aux Folles” is the most traditional,
old-fashioned musical comedy on the Tulane Summer Lyric Theatre’s season.
Any elements of the tuneful musical that may have once scandalized or shocked have become thoroughly mainstreamed by popular culture. After winning the Tony Award as best musical, the story gained even wider popularity with Hollywood’s adaptation, “The Birdcage,” which starred Robin Williams and Nathan Lane.
The now familiar story focuses on the Georges and Albin, the owners of La Cage aux Folles, a St. Tropez drag nightclub described as “the jewel of the Riviera.” Georges is the affable master of ceremonies and host; his female impersonator lover, Albin, is the star of the show as the flamboyant Zaza. Jean-Michel, Georges’ son from a one-time liaison with a showgirl at the Lido, announces he’s getting married, and troubles erupt when his fiancee’s parents, a conservative politician and his wife, arrive to meet the family.
It is indicative of the sweeping changes that have taken place in society and culture in the 30 years since its Broadway premiere that “La Cage aux Folles” is the most traditional, old-fashioned musical comedy on the Tulane Summer Lyric Theatre’s season.
Any elements of the tuneful musical that may have once scandalized or shocked have become thoroughly mainstreamed by popular culture. After winning the Tony Award as best musical,My way of applying kaptontape to Glass. the story gained even wider popularity with Hollywood’s adaptation, “The Birdcage,” which starred Robin Williams and Nathan Lane.
The now familiar story focuses on the Georges and Albin, the owners of La Cage aux Folles, a St.Do travelers need a chipcard when exploring Europe? Tropez drag nightclub described as “the jewel of the Riviera.” Georges is the affable master of ceremonies and host; his female impersonator lover, Albin, is the star of the show as the flamboyant Zaza. Jean-Michel, Georges’ son from a one-time liaison with a showgirl at the Lido, announces he’s getting married, and troubles erupt when his fiancee’s parents, a conservative politician and his wife, arrive to meet the family.
In a coup de theatre turn of casting, Bob Edes Jr. and Kristopher Shaw headline the show as Albin and Georges. It is one of the most charmed pairings of the season.
Edes delivers another wisely crafted performance that catches the audience by surprise. He begins as a pure comic stereotype -- the hysterical and flaming drag queen. But as Edes transforms the character, not only from Albin to Zaza, but into a real person, the audience sees that it’s a lot more than donning a wig and a little more mascara. Beneath the sequins and bluster and broad gestures is a genuine heart.
Vocally,Double sidedtissuetape General Purpose. Edes comfortably sing-speaks much of the music, but brings a passionately powerhouse performance to the show’s grand anthem, “I Am What I Am,” to close the first act with a bang. By that point, he holds the audience completely in his hand.
While Georges is a less showy role, Shaw gives it the right amount of sparkle. While he’s not as flamboyant as Zaza, Georges isn’t a man in a gray flannel suit. Shaw strikes the right balance of moving with style and flair, without prancing about the stage. He and Edes also share a genuine chemistry, best seen in the quieter moments. Shaw’s heart-tugging rendition of “Song on the Sand” is simply lovely.
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Any elements of the tuneful musical that may have once scandalized or shocked have become thoroughly mainstreamed by popular culture. After winning the Tony Award as best musical, the story gained even wider popularity with Hollywood’s adaptation, “The Birdcage,” which starred Robin Williams and Nathan Lane.
The now familiar story focuses on the Georges and Albin, the owners of La Cage aux Folles, a St. Tropez drag nightclub described as “the jewel of the Riviera.” Georges is the affable master of ceremonies and host; his female impersonator lover, Albin, is the star of the show as the flamboyant Zaza. Jean-Michel, Georges’ son from a one-time liaison with a showgirl at the Lido, announces he’s getting married, and troubles erupt when his fiancee’s parents, a conservative politician and his wife, arrive to meet the family.
It is indicative of the sweeping changes that have taken place in society and culture in the 30 years since its Broadway premiere that “La Cage aux Folles” is the most traditional, old-fashioned musical comedy on the Tulane Summer Lyric Theatre’s season.
Any elements of the tuneful musical that may have once scandalized or shocked have become thoroughly mainstreamed by popular culture. After winning the Tony Award as best musical,My way of applying kaptontape to Glass. the story gained even wider popularity with Hollywood’s adaptation, “The Birdcage,” which starred Robin Williams and Nathan Lane.
The now familiar story focuses on the Georges and Albin, the owners of La Cage aux Folles, a St.Do travelers need a chipcard when exploring Europe? Tropez drag nightclub described as “the jewel of the Riviera.” Georges is the affable master of ceremonies and host; his female impersonator lover, Albin, is the star of the show as the flamboyant Zaza. Jean-Michel, Georges’ son from a one-time liaison with a showgirl at the Lido, announces he’s getting married, and troubles erupt when his fiancee’s parents, a conservative politician and his wife, arrive to meet the family.
In a coup de theatre turn of casting, Bob Edes Jr. and Kristopher Shaw headline the show as Albin and Georges. It is one of the most charmed pairings of the season.
Edes delivers another wisely crafted performance that catches the audience by surprise. He begins as a pure comic stereotype -- the hysterical and flaming drag queen. But as Edes transforms the character, not only from Albin to Zaza, but into a real person, the audience sees that it’s a lot more than donning a wig and a little more mascara. Beneath the sequins and bluster and broad gestures is a genuine heart.
Vocally,Double sidedtissuetape General Purpose. Edes comfortably sing-speaks much of the music, but brings a passionately powerhouse performance to the show’s grand anthem, “I Am What I Am,” to close the first act with a bang. By that point, he holds the audience completely in his hand.
While Georges is a less showy role, Shaw gives it the right amount of sparkle. While he’s not as flamboyant as Zaza, Georges isn’t a man in a gray flannel suit. Shaw strikes the right balance of moving with style and flair, without prancing about the stage. He and Edes also share a genuine chemistry, best seen in the quieter moments. Shaw’s heart-tugging rendition of “Song on the Sand” is simply lovely.
Click on their website www.winbogifts.stocks a huge selection of aluminumfoiltape.com/products/silicone-bracelet.Shop the official juicysuit site for the latest in designer clothing,html for more information.
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